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A Frank Suggs Syllabus

Class Overview and Syllabus

    This course is an overview of African American
    non Western classical music from it's beginnings to 1890.

    It includes African music, Caribbean music and music in the United States

    History of the people and the social, religious, economic/political conditions
    in which they live are studied as background for the development of music.

    You can study the class syllabus.

     

Class Outline

    Below is an outline of the course:

    UNIT 1: WHAT IS BLACK MUSIC?

      This is the shortest unit and it covers the following:

      • Definitions of Black Music or African American Music
      • A description of Black Music
      • Identifiable musical ingredients of Black Music



    UNIT 2: AFRICA

      This unit covers the following:

      • A history of Africa and Africans
      • A comparison of African, European and Asian music
      • General concepts of African music
      • African musicians and instruments
      • The role of music in African societies
      • African musical listenings



    UNIT 3: CARIBBEAN

      This unit acquaints the student with African and European interaction.
      The following areas are included in this unit:

      • Myths of Africa by Europeans
      • The slave trade
      • African Theology, musical retentions and instruments in the New World
      • Creating a new music in a New World



    UNIT 4: SLAVERY IN THE UNITED STATES

      Unit 4 covers the following areas:

      • Slavery in a free nation
      • Africans and the building of a nation
      • Music in the colonies



    UNIT 5: SECULAR MUSIC

      This unit covers the new music
      created by Africans in the United States.
      Included are:

      • Worksongs
      • Children's Songs
      • Animal and other folk tales
      • Calls and hollers



    UNIT 6: RELIGIOUS FOLK MUSIC

      This unit explores the development of a God concept
      and the ensuing Black Christian denominations
      Included are the following:

      • Camp meeting spirituals, shouts and sorrow songs
      • Anthemized spirituals
      • Gospel spirituals
      • Hymns of improvisation
      • Language of the spirituals



    UNIT 7: MINSTRELSY

      Minstrelsy turned the new music
      into commercial product.
      This unit examines the following:

      • Black and White minstrelsy
      • Impact of minstrelsy on African American culture
      • Development of America's Music and Entertainment Industry



    UNIT 8: SUMMARY

      This chapter reviews the development of Black music
      through the eyes of an ex slave

     

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[Frank Suggs] [Birmingham] [Music Business] [Black Music I] [Black Music II]
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For more information, please contact:
Frank Suggs, 1201 Mary Jane, Memphis, Tennessee.

Phone: (901) 396-2913
Email:
fsuggs@ilstu.edu