Seminar in Qualitative Communication Research

Com 473 BaldwinCommunicationIllinois State University

Updated 10/05/05

 

COM 473 Notes:  Ethnography (of Communication)

BRING:

        Ethnography books (if any)

        Field notes from old exercise file

 

I.    Introduction to Ethnography (Lindlof, 1995)

      A.  What does “ethnography” look like? (aspects, p. 134)

            1.  methods?

                  a.   Participant observation

                  b.   Interviews

                  c.   Textual/cultural analysis

                  d.   CA/DA

            2.   Purposes?

                  a.   Observe/understand

                  b.   Generalize?

                  c.   Critique power structures?

            3.   Benefits/limitations?

 

      B.  What traits make an effective ethnographer? (Lindlof, 1995)

v  tolerance for marginality (liminal, periphery, mental marginality, even when “at home,” going native, ethics)

v  requisite variety (of beliefs on the part of the researcher)

v  multisensory sensitivity (limits of “observing”/visual bias, tuning up “bodies”)

v  on-line inferencing (deciding on the spot what is and is not important. cross-referencing?)

v  being a good person (“good guy” approach—easy and unpretentious; general social competence (when to be gregarious, etc.; measured naivite)

v  cultural differences (common experiential grounding; autoethnography: strengths and limitations!

 

      C.  What roles might the ethnographer take?

            Role: has range of actions, obligations, and rights that go with it…a ‘situated

character

1. Roles based on degree of participation  (Gold, 1958). When/why would you

use each? Assumptions of research? What are the strengths and limitations?

v  complete participant (role pretense; real “naturalistic” research, but restraints, threat of cover blowing, )

v  participant-as-observer (doesn’t have to follow all rules, obligations; partial access, “greater reciprocity”)

v  observer-as-participant (brief contact? “observe with minimal participation”—risks of imposing too much meaning)

v  complete observer (maybe not even known to the interactants; risk of “going ethnocentric,” of imposing too much structure/interp on participants

 

 

2.  Roles based on social function

v  Adler & Adler: complete member, active member, peripheral member

“These roles entail different obligations, liabilities, and chances for experiencing social life” (p. 149)

guarding against going native—see experience as theorizing

v  Snow et al: controlled skeptic, ardent activist, buddy-researcher, credentialed expert

v  Fine & Glassner: friend, leader, supervisor, observer vs. “least-adult” role; watch out for reification

 

 

D.      What to observe? (Tactical observing)

Site, scene, performances/practices

Wide angleàtight angle (telescopic lens)

Suspended judgment. First “experience the ambient scene” (Schatzman & Strauss, in L&T, p. 153)

First and later visits (p. 153)

v  Actors: “names” (nominal), statuses, rules (constitutive/regulative)

v  Scene: architecture, artifact, uses of environment, etc.

v  Interaction (initial? process? specific functions?), social acculturation, rel’s, statuses, etc.

v  When/how do actors claim attention?

v  When/where congregate, interact?

v  What communicative events are significant? (e.g., dugri, communication, silence?)

1. Choosing a role

2. Choosing/entering the “field”

3. Finding the “scenes” pertinent to the research problem

4. Bracket judgment and need for closure, categories (be a novice!)

5. Delineating and fleshing out “events”

“We learn to recognize events by performing in them, by taking lines of action that make sense to the participants” (p. 161).

 

      2 principle roles during first weeks: p. 154

            1.   Developing role, positioning, perspective

            2.   “What is going on here”—full range of actors, scenes, etc.

 

Some Videos related to Ethnography:

·         Health reform in Orissa: http://www.youtube.com/watch?v=rnyeMLtU5fo&feature=related

·         An obscure group in California (fun): http://www.youtube.com/watch?v=sRv_oxQKeqw&feature=related

·         Going tribal on drugs: http://www.youtube.com/watch?v=KB2qjMVl39s&feature=related

·         Goth culture (video): http://www.youtube.com/watch?v=wekLyxxPz28&feature=related

·         Video games in college dorm: http://www.youtube.com/watch?v=QmVef5I0t_4

 

II.  Theoretical Approaches to Ethnography

      A.  Issues of ontology, epistemology, and axiology

            From observation to criticism: T. Clough

            A return to realism? Hammersly

            So--objective, subjective, or critical?  modern or postmodern? Yes.

 

A. Ethnography of Communication: Philipsen

Assumptions

 

1.       Fundamental Axiom:

2.       Coordinated Action:

3.       Particularity in Meaning and Action:

4.        Cultural Particularity

 

The Descriptive Framework [mentioned in Philipsen, 1989, but not spelled out]

·         Scene: Where, when, environment

·         Participants: Who’s involved (characteristics, contexts of individuals, friends/not friends, sissies as victims, who are perps & who are victims?)

·         Ends: Why are people doing what they are doing? These can be immediate ends (get close to teacher who is reading the story) or can be longer-term social ends (establish power over other students).

·         Act sequence: “process,” steps. Is there, for example, escalation prior to bullying in some cases, or does bullying occur randomly and w/o provocation? Are there responses to bullying by students or teachers? Are some more or less effective?

Actàinteractàdouble interact (response)

·         Key: tone, feeling involved.

·         Instrumentalities: How does the participant engage in the act to meet the ends? Channels? Forms?

·         Norms: What is the accepted or expected range or set of behaviors within the genre? What is one socially allowed, encouraged to do or prohibited, discouraged from doing? Are the norms formalized, codified?

·         Genre: General classification of communicative behavior (e.g., joke, gossip, insult, teaching content, bullying).

 

      B.  Rethinking Ethnography (Conquergood, 1991)

            1.   The return of the body

q  end of the visual bias

q  radical empiricism: from Other-as-theme to Other-as-interlocuter

q  from "schizophrenic tendencies" to coeval intersubjectivity

q  I/eye of ethnography (Renato Rosaldo)

 

            2.  Boundaries and borderlands

q  centering and decentering

q  recognize the leakiness of categories (Trinh); boundaries as membranes (RR)

q  RR: borderlands, zones of difference, busy intersections where many identities meet togheter

q  Leave presuppositions of pattern, continuity, coherency, and unity (Clifford), p. 184

q  Discourses of (fluid) identity; discourses of displacement

         

3. Rise of Performance

q  from patterns to performance (p. 187)

q  particular, participatory, dynamic, intimate, precarious, embodied, w/I history, contingency, ideology (p. 187)

q  linguistic and textual bias (p. 188)

q  performance paradign/polysemic performance vs. "text-positivism"

 

4. Rhetorical Reflexivity

q  ethnography as rhetoric, rather than as science (Geertz)

q  writing oneself into the text

q  the irony of it all! (p. 193)


 COM 473-Seminar in Qualitative Comm Research Methods

 

  1. Describe some context and type of behavior that you are familiar with, locate some specific communication acts or genre that are taking place (don't neglect mediated genre!). Choose a single focus to think about and observe.

 

  1. Apply the E of C model developed by Hymes and Philipsen (separately) to the topic you decide to focus on. Try to come up with a brief, coherent description of what you think is going on this specific communicative act. To spur your memory:

 

Scene:

 

Participants:

 

Ends:

 

Act sequence:

 

Key:

 

Instrumentalities:

 

Norms:

 

Genre:

 

  1. What are some strengths and limitations of looking at culture and communication in this way? For example, what tensions do you feel as you try to describe the culture you see around you? What are some things that this type of research could offer that, say, giving the participants a survey or doing an experimental manipulation could not afford? What types of claims could one make or not make?

 

  1. Class Notes: Is ethnography/can ethnography be objective, subjective, or critical? Is it "modernist" or "postmodernist"?

 

  1. How might ethnography be used in different contexts, say, organizational research? educational research? academic research?