Course
Resources
Syllabus
Compositional
Assignments
Journal Guide
Compositional Devices
Compositional Study
Evaluation Form
WebCt
(grade postings & course calendar)
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Teaching Page
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January
9, 2005
www.ilstu.edu/~lmerri
copyright © L.Merriman
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Welcome to Dance
Composition II! This semester will be another wonderful opportunity
to create work and explore your potential as choreographers. This course is an
extension of THE 125, Dance Composition I, with an emphasis on choreographing works of
substantial length using small and large numbers of dancers. As in Dance Composition
I, you will be provided with an array of creative problems to solve as a choreographer.
As your instructor of this second semester of composition you will find my
approach may be different than that of your previous instructor.
Embrace those differences and grow from each. Choreography is a creative process that requires practice as well as some
knowledge about the craft of choreography. This semester we will continue
to pursue knowledge of the craft and will continue to practice making dance. As many
of you likely experienced last semester, not each work you create will be a "master
piece." You may not be inspired at the needed hour. That is when you rely
on "play" and exploration. Twyla Tharp is quoted in her book, Push
Comes to Shove:
People ask, "How do you make a
dance?" My answer is simple. "Put yourself in motion."
Dance Composition II has been designed for
undergraduate students at the intermediate level. Enrolled students are expected to
have the prerequisite of the Dance Composition I course within the School of
Theatre of
Illinois State University or obtain consent from the instructor (that would be me!).
It is further assumed that each student enrolled in this course is committed to the
making of dance and the creative process, and therefore has the organizational skills,
discipline and fortitude in the continual effort to develop creative work both inside and
outside of the studio classroom. A large portion of your evaluation this
semester will be designed around your creative solutions to the Compositional Assignments
given. Yet as important as it is to continually practice your craft of choreography,
your skills in analyzing work and discussing work will be stressed. As in any course
within the Dance Program, your attendance is essential to your understanding of the
material and development as a creative artist. All choreographers will be held
accountable for their work and the deadlines agreed upon.
WebCT
WebCT is a separate environment with an account reserved only
for our class. Below is a brief description of what can be found there.
Please click WebCT in the left column, select "course listings" as a new user,
select"THE" in the category column, and then click on our course in the courses
column. You will be asked for an ID and a password. Each is set initially to
your ULID. This takes you to the set-up screen. The system requires that you
complete the set-up procedure before gaining access to the account. Please follow
these steps:
- Read through the first set-up screen and respond to the question
"Have you already set up my WebCT?" If you have done this for another
class, click "yes". If not, click "no".
- The next set-up screen lists all of your WebCT courses. It
is quite possible that only this class will be listed. If this information is
correct, click "validated".
- In the next set-up screen, re-enter your password and click
"validate passwords".
- The next set-up screen asks for your name and new
passwords. Please continue to use your ULID as your Global ID and then select a
password that you will remember but will not be identifiable to others. Click
"submit".
- The final set-up screen confirms your completion of this
process. You may wish to record the web address given, or you may continue to enter
by linking to WebCT through the course web page.
- From now on, when you click on WebCT from you course page, you
will select "my WebCT", instead of "course listings", since you are
now a registered user. Remember to use your new passwords.
- For subsequent log-ons, the screen you will initially reach allows
you to click directly on our class account, as well as to check whether any new
developments have been posted. Once you click on the course, you will see the course
home page in WebCT. You should find it to be menu-driven from that point with the use of
icons.
- PLEASE NOTE THAT IF YOU HAVE
PREVIOUSLY BEEN ENROLLED IN ONE OF MY COURSES REQUIRING YOU TO LOG ONTO WEBCT YOUR COURSE
ID AND PASSWORD WILL CARRY OVER INTO THIS COURSE.
Communicating (Forum, Chat Room, etc.)
In the interest of facilitating communication among students
in the class each of you will have access to WebCT. Here you will be able to
communicate with each other in real time in a chat room setting as well as receive and
respond to messages as you log on. This account is available only to class members
and the professor and thus you must enter the password (which will be given to you at the
start of the semester) in order to sign on. Assigned discussion
questions will be posted to the Discussion Forum throughout the
semester. See
Journal Guide.
Grades
I will make every attempt to evaluate your work fairly and to
turn assignments around in a timely fashion. Each grade that you receive will be
posted to the gradebook in WebCT as soon as it is available. If a grade does not
appear on the spreadsheet, you can assume that your work has not been graded and therefore
need not ask about it. However, if you believe a grade has been entered
inaccurately, you are encouraged to let me know via e-mail. I make
mistakes every day.
Calendar
The calendar in WebCT should keep us on track throughout the
semester. Please refer to the course calendar in WebCT for any changes throughout
the semester. This should be clearer to you once you log onto WebCT.
Course Goals
1. Understand and demonstrate knowledge of theoretical concepts of group
compositional design.
2. Organize original movement material into choreographed studies involving
more than one dancer - to be performed in class.
3. Understand and be able to effectively analyze the creative work of fellow
classmates.
4. Communicate effectively and clearly compositional ideas and concepts in
discussion and in a class notebook.
5. Analyze and evaluate choreography and works of art of a
professional stature.
6. Organize rehearsals and complete choreographic projects in a timely fashion
adhering to
timelines set by the instructor.
7. Demonstrate effective coaching techniques while working with dancers in a
rehearsal
atmosphere.
8. Experience working with traditional and non-traditional approaches to
choreography.
Course Description
Continued theory and practice in the principles of dance composition learned in THE
125.00, Dance Composition I, with emphasis on expanding problem-solving compositional
skills in choreographic assignments.
About this Site
In this course, students will study and learn the theories and fundamentals of dance
composition. You will be asked to demonstrate your knowledge in a variety of ways -
both inside and outside the classroom. It is my hope that you will find this site of great
assistance throughout the semester as a supplement to our class and for use outside of the
classroom. I will be continually updating information for classroom use on this page and
strongly suggest you "check in" on a regular basis. This page serves two
important
functions for our class...1) to communicate; and 2) to explore the vast use of
computer technology in an academic/performing arts environment.
On the left hand column of this page you will find a number of useful links for our class.
You
are responsible for each of these links. In that technology is what it is...you are
responsible for the material associated with these "links". If you have any
"techno difficulty" I would expect that you will come and see me during my
office hours or problem solve (a skill as composition students has become
much stronger!) on your own to find a solution to
your problem. Most of you have become familiar with using the Internet for
my classes, so go ahead and click away
and get a jump start!

"The world needs dances!
Each one offers a look into the heart of a unique world. The more a dance
succeeds in revealing that world, the better dance it is. That is the true measure
of a dance's worth. Form is immaterial, technique incidental, and the potential is
dazzling. Making a dance is no less than a chance to add meaning to life."
New York Times... |